Friday, November 12, 2021

Parodies- The Second Wind Of A Genre



    The parody genre is one of the most niche genres in film, yet remains popular among cult-like fandoms which religiously watch these films yearly. While not as prevalent in film culture as it was between the 70s and 90s, there are still many beloved parody films (also known as "spoof" films) produced in modern times, for example 21 Jump Street, or the Scary Movie series. Parody movies as a genre are all about poking fun at an overused formula or popular culture, bringing light-hearted comedic entertainment to audiences while simultaneously delivering a veiled criticism of the film industry's tendency to milk formulas for all they're worth. By definition, parody movies are made by taking a renowned work, franchise, or genre, and exaggerating the tropes and formulas found in them to make fun of the subject in a satiric manner. This exaggeration of tropes is usually interpreted as bad acting, which is ironically a staple of spoof films.

    The genre's own tropes are rather glaring and obvious,  as it typically follows a copied plotline from whatever film or genre it is criticizing, weaving its own hilarious situations into the threads of the stolen story. The characters in these sorts of films are usually very foolish, to the point of harming themselves from their own ignorance or accidentally making jokes when they mean to be serious. Their idiocy propels the story forward, leading to more misadventures along the way, and somehow arriving at their end goal almost by accident. An infamous example of a parody movie that follows this general plotline is Monty Python's Life of Brian, which is a parody of the story of Jesus, and follows the life of Brian, a common villager who is mistaken for the Messiah, who's miracles are complete coincidences that get weaved into a narrative by crazed followers, eventually leading to his crucifixion through a series of accidental miracles. This movie is also a good example of another common characteristic of the genre, which is commentary on either society or politics. In Life of Brian, it criticizes Christianity through a cynical lens of "What if Jesus was just a guy with a lot of coincidences?". Another one of Monty Python's films, Monty Python and The Holy Grail, is full of scattered commentary, sometimes hidden under metaphorical comedy, and other times outright stated bluntly for comedic effect, such as when it randomly discussed the legitimacy of self-imposed governments in medieval times. The juxtaposition of the silly characters discussing elevated, intellectual subjects is a source of comedy in of itself, disregarding the likely silly language or arguments they present in the film.

Despite being a joke genre, spoof movies are not without their own unique production techniques. In parody movies, one can often find the use of sound effects to be overused, or overly cartoonish to highlight how ridiculous the scene is, similarly to how children's cartoons use sound effects. Audio in spoof movies is surprisingly important, as sometimes a solemn silence needs to be broken up with a goofy sound effect to relieve tension. Editing in spoof movies is essentially very similar to how most movies are edited, though certain productions decide to use unconventional techniques to further make fun of itself. 

Parody movies typically didn't rely on big marketing campaigns- they would rely on the success of the source material, the notoriety of the actors in the film, or the cult-like fanbase that certain producers of these films would gather during their career. In modern times, parody movies are barely produced, they are regarded as a relic of the past, stored away with old big names like Mel Brooks and Monty Python. However, there are still movies nowadays that are produced that fit the parody genre, but they typically identify under other genres since the spoof genre is a largely unknown and unpopular field, especially with modern audiences. Films like Willy's Wonderland and Scary Movie register under more popular genres despite more closely fitting in with the spoof genre for marketing reasons.

A quintessential example of a spoof movie is the the film Spaceballs (1987), which was directed by renowned spoof director Mel Brooks, known for his work in other parodies like Young Frankenstein and Blazing Saddles. Just from a look at the poster, you can instantly infer what this film is parodying: one of the most successful franchises of all time, Star Wars. This movie, along with being one of my personal favorites, is the perfect representation of a spoof movie because it has it all, cheesy jokes, horrendous acting, and a story blatantly ripping off the source material. Even the names of characters are jokes, namely the main protagonist, Lone Starr, being a combination of the names of Han Solo and Luke Skywalker from the original Star Wars. The ridiculousness of the genre shines through this movie, with the antagonist donning a ludicrously huge helmet to poke fun at Darth Vader's iconic helmet and the main villain's spaceship transforming into the Statue of Liberty instead of the Death Star. The film is built out of puns, pop culture references, and cheeky reimaginings of sequences from the source material, just as any parody movie should be. The frequent use of sound effects is omnipresent throughout the film's runtime, which is another staple of the genre. This, in conjunction with blatant rip-offs of characters and everything else mentioned, comes together to form the perfect disaster of a parody movie.


Another example of a spoof movie is Airplane! (1980), which was directed by the Zucker brothers. Airplane! is also a parody of a known movie (Airport 1975) and follows the misadventures of one dumb ex-pilot on a doomed plane flight in which shenanigans ensue. Airplane! is known for its slapstick comedy, often heavily relying on wordplay or other gags to keep a sense of fast-paced humor about it. At its time of release, it was a smash success, raking in $171 million worldwide against its budget of #3.5 million, which is indicative of the different era that cinema was in, where parodies were massive successes and popular in media, harshly contrasting with today's media sphere. Airplane! also used sound effects heavily in conjunction with its constant pun-making and pop-culture referencing. However, there is no explicit commentary about society in this movie, which is a difference with other parody movies of the time. 

A beginning..?

 Welcome to the Stories Relit blog, where I plan to post my thoughts and commentary on media semi-frequently. My name is John, and I'm a high school junior with a vested interest in stories told through all mediums, be it film, text, or music. I deeply enjoy interpreting the meaning of media productions, whether it be an underlying message hidden through details in the piece or if it flat-out tells me what it aims to achieve. I've been motivated to make this blog due to my AICE Media class, which delighted me, as I've had thoughts about creating a blog for my own enjoyment for some time now. It is my understanding that I will be using this website to post film analyses, updates on my projects, and anything else required of me in the syllabus.


I chose the name Stories Relit for a very simple reason: I believe that my perspective and interpretation of worn-out stories in media can bring new life through my commentary and admittedly overdone analyzing. It's always been a belief of mine that a good story is just like a flame, and each retelling of it only adds more timber and fuel for the fire to grow brighter. It is my goal to ensure that my posts on this blog will relight the flames of stories that may have dimmed for some, because storytelling is one of the only truly universal experiences that all of humanity shares.

I look forward to posting very soon! 

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